CONSTANTS

A bold new novel by E.B. Miller

Hour glass of the book CONSTANTS

Mark Robson is trapped in flux.

Every 18 minutes and 32 seconds he wakes up in a new reality, then dies. The only clues to help him stop this crazed cycle and return to home to his pregnant wife are the people, things, and events that reappear across worlds, or what he calls his . . . 

CONSTANTS

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In the reality roulette that is flux, he’s come to realize that it is time itself that is the one true antithesis of death, as only on the brink does one learn to grasp not just the significance, but the very meaning of a year, a month—or, in his case, a minute, a second.

Cartoon. Everything is a cartoon inside a colourful cartoon house. Mark’s seated at a dinner table with a cartoon hippo, a cartoon kangaroo, a cartoon book, and they’re all just having a blast. 

Humans have a habit of answering how and believing that, by extension, this explains why, but why can’t we see gravity? Why do pulsars pulse? Why do you dream in stories? Why is there anything at all rather than thoroughly nothing? There’s always a why, Marcus Robson.

Then the sky changes colours.

Not from the ever-enlarging ash cloud, but in an instant, the remainder of the untouched blue sky blinks into an angry yellow whose darkness encroaches into the office. 

Excerpts from the novel

CONSTANTS unfolds in real-time for the reader, providing an immersive experience filled with unexpected twists that drive towards a stunning conclusion. It’s a gripping exploration of humanity’s search for meaning across the far reaches of our collective imagination.

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What People Are Saying

I loved this book. It’s the rare novel that makes you both think and feel. Constants starts as an entertaining, fast-paced read — until the final act completely floored me with existential gut punches and left me feeling so many emotions.

Diane Callahan

── Quotidian Writer

This isn’t just a book — it’s an experience. Miller’s writing dissolves the boundary between dream and memory, life and afterlife. The imagery lingers like a half-remembered vision. A surreal masterpiece that rewards a second and third read.

Mark Spencer

── Professor of Comparative Literature

Few novels manage to balance intellect and emotion the way CONSTANTS does. It’s part psychological labyrinth, part cosmic mystery — a story that leaves you questioning what’s real long after you’ve closed the book. A truly original voice in literary fiction.

Sandra Muller

── Editor at The Mirrored Page

E.B. Miller’s CONSTANTS is a haunting meditation on identity, grief, and the infinite versions of ourselves that might exist across time and space. Every chapter feels like waking up in a new dream you can’t quite escape. It’s surreal, devastating, and deeply human all at once.

Joe Schmore

── Author of The Paradox Hours

Want To Start?

-p54: Meadow

He stands alone in the open meadow. There are no beasts or dangling hazards to be seen. No loose mountainside or threatening waters. Zero terrain of note, but short grass in a soft breeze. His quivering grip holds a pocket watch as he stares down at the relentless second hand, willing it to slow its pace while mourning the passing of each and every moment.

“Minute ten. Nine. Eight,” he mumbles as his legs shudder back and forth. His once-handsome features are crumbling away, replaced by a sallowing complexion of bad colours and a crown of disheveled, sparse dark hair.

“How?” he asks no one.
The same dilemma plays out repeatedly in his thoughts. He tries to analyze it, attack it from a thousand different angles, bend his mind to think it over and break it down into its smallest components until the theory of it all dissolved into a flatus of logic and his head just hurts.

“Minute zero. Fifty-nine seconds. How do I come back?” 

The one thing we were supposed to know about dying was its permanence. Without that—what the fuck? Not that death ever made any sense to him, even back when the world still held its form. As a young man he had hoped to ignore the concept altogether by simply living his life to the fullest—more experiences, more memories, more travel, sex, and food. More going out, drinking, and hoping something, anything, would happen that would at least be worth remembering the next day.

“Forty-one seconds. Please make it stop. Forty. Please.”
As his relationship with Lya had progressed and vague talks of parenthood matured into actual planning, he had begun to wonder if it was not creation that was death’s real opposite. That our simple way to steer away unease of the grave had always been to leave something of ourselves, better than ourselves. He even used this logic to try and calm himself after she told him the news.

“Thirty. Twenty-nine,” he says, barely audible. The horizon still lies bare in all directions. There’s no dangerous company or even so much as a dubious-looking cloud.
Now? In the reality roulette that is flux, he’s come to realize that it is time itself that is the one true antithesis of death, as only on the brink does one learn to grasp not just the significance, but the very meaning of a year, a month—or, in his case, a minute, a second.

“Twenty-two. Twenty-one.”
There is, however, a specific denotation of time that he counts towards that is looming larger than the rest. The obsessive countdown, the endless ticking to that single marker, has begun to circle his every thought. Sweaty palms tighten on the watch as he feels the seconds closing in.

“Fifteen. Fourteen.”
There’s still nothing new in sight. He tries to take solace by finding some moment they’d had together—their wedding, a kiss, a meal, anything—but the only thing that seems tangible is a profound sense of urgency. He can’t handle the intensity of the present. It feels like his heart might explode. Is that how it’ll happen? Heart explosion!?

“Ten. Nine.”
And is that still only his leg shaking?

“Eight.”
The horizon ripples nauseatingly back and forth like it’s made of liquid.

“Seven. Six,” he says louder.
Fifty feet in front of him there’s a split in the grass. A widening crevice that slithers towards him like a famished serpent.

“Five! F—” The shaking throws him to his knees.

“Three!”
The serpent expands its maw.

“Two!”
He lifts the pocket watch to his face.

“One . . .”
As his vision of the second hand blurs, as the moment itself seems to explode with anticipation, the earth opens up and swallows Marcus Robson whole.
His last coherent thought arrives with a hollow kind of calm as at least his obsession was proven right—death at exactly 18 minutes and 32 seconds is constant.

E.B. Miller pulls you into parallel worlds and makes you believe every one of them.

Mina Clarke

Dark, poetic, and strangely comforting — the best kind of existential fiction.

Jonas Keller

Visually rich and emotionally charged. I saw every scene unfold like a film.

Nadia Torres

Feels like if Murakami wrote a Twilight Zone episode about love and loss.

Cameron Doyle

A mind-bending journey through grief, time, and what it means to be human.

Samir Patel

Beautiful, strange, and unsettling — I couldn’t stop thinking about it for days.

Leah Monroe